D'ORO D'ART

D’ORO D’ART is curated by Barbara London and Valentino Catricalà, two important figures in the world of contemporary art.

Barbara London is a renowned curator and writer who has made significant contributions to the field of contemporary art. She is widely recognized for her work in new media and digital art. For many years, Barbara London served as the Curator in the Department of Media and Performance Art at The Museum of Modern Art (MoMA) in New York City. During her time at MoMA, she organized numerous groundbreaking exhibitions that explored the intersections of art and technology. London is known for her support and promotion of video art and experimental media. She has been instrumental in bringing the work of emerging and established artists working with new media to wider audiences.

Valentino Catricalà is an Italian curator and art critic with a strong presence in the contemporary art scene. He has curated and organized exhibitions and cultural events on a global scale, focusing on the intersection of art, technology, and society. Catricalà has been involved in various art institutions and projects, both in Italy and internationally, contributing to the promotion and advancement of contemporary art. He is currently the curator of SODA Gallery in Manchester and lecturer at Manchester Metropolitan University’. 

Federico Solmi was born in Bologna, Italy in 1973. Since 1999 he has lived and worked in New York.

Solmi’s work utilizes bright colors and a satirical aesthetic to portray a dystopian vision of our present-day society. His exhibitions often feature articulate installations composed of a variety of media including virtual reality experiences, video installation, painting, drawing, and sculpture. 

Solmi uses his art as a vehicle to stimulate a robust conversation with his audience, highlighting the contradictions and fallibilities that characterize our time.

By merging his paintings with game engine aesthetics, Solmi’s videos confront the audience with his own absurd rewriting of past and present, merging dark humor and sense of the grotesque with new technologies. He creates a carnivalesque virtual reality animated by computer script and motion capture performance rather than string.

In 2009, Solmi was awarded by the Guggenheim Foundation of New York with the John Simon Guggenheim Memorial Fellowship in the category of Video & Audio.

Solmi’s work was included in the 100-year anniversary exhibition of The Phillips Collection, Seeing Differently, and in the Smithsonian National Portrait Gallery’s traveling exhibition, Outwin 2019: ‘American Portraiture Today,’ as well as the inaugural exhibition of the Ocean Flower Museum Island in Hainan Province, Danzhou, China. 

In September 2024 Solmi’s upcoming solo show ‘The Great Farce’ is scheduled to open at the Block Museum of Art, Northwestern University. Past solo museum surveys include ‘Joie de Vivre’ (September 

2022 - February 2023) at the Morris Museum in Morristown New Jersey, ‘The Grand Masquerade’ (2019) at theTarble Art Center in Charleston Illinois, and ‘American Circus’ (2016) at the Haifa Museum of Art in Israel.

His work has been included in several international Biennials, including Open Spaces: A Kansas City Arts Experience (2018), the Beijing Media Art Biennale (2016), Frankfurt B3 Biennial of the Moving image (2017- 2015), the First Shenzhen Animation Biennial in China (2013) the 54th Venice Biennial (2011) and the SITE Santa Fe Biennial in New Mexico (2010).

From 2016 to 2019 Federico Solmi was visiting Professor at Yale University School of Art, and Yale School of Drama, New Haven CT. Solmi was appointed guest critic at the Yale University School of Art for 2022.

Solmi is currently working on a new body of large scale mixed media drawings, investigating the new tycoons and influencers of our time.